i don't have as many photos of my mother when she was young as i would like. the ones i do have feel precious, like they belong in a jewel box and not a photo album. there is one in particular that i love. it's of her laying out with her mother on a beach somewhere, maybe florida. there are rows and rows of beach-chairs behind them, with people on their stomachs and backs, sweating into their towels, and then, in the top right corner of the photo, the sea begins to sprawl out behind them. my grandmother is sitting up, with her knees pulled up a bit closer to her body. maybe she was feeling shy in front of the camera. on her head is a bathing cap, neon green and almost fluffy looking. she is wearing a one piece in a swirling black and white geometric pattern. it must be the early sixties. actually maybe the mid sixties because my mother looks like she might be fourteen or so. my mother is stretched out right next to my grandmother, her thigh touching her mother's bent knee. she has on a yellow bikini with ruffled trim. her eyes are closed. her blonde hair is shiny and the ends hit the tops of her shoulders. everything about her looks bright and young and golden. her mouth is parted and her fingers rest on the fabric of her bikini bottoms. she looks perfect. and though it's a photograph, when i stare at it it's as if i'm watching a short flickering film. i see so much movement, i see the moment so completely. i see the force of her youth so clearly.
Monday, July 19, 2010
the force of youth
i don't have as many photos of my mother when she was young as i would like. the ones i do have feel precious, like they belong in a jewel box and not a photo album. there is one in particular that i love. it's of her laying out with her mother on a beach somewhere, maybe florida. there are rows and rows of beach-chairs behind them, with people on their stomachs and backs, sweating into their towels, and then, in the top right corner of the photo, the sea begins to sprawl out behind them. my grandmother is sitting up, with her knees pulled up a bit closer to her body. maybe she was feeling shy in front of the camera. on her head is a bathing cap, neon green and almost fluffy looking. she is wearing a one piece in a swirling black and white geometric pattern. it must be the early sixties. actually maybe the mid sixties because my mother looks like she might be fourteen or so. my mother is stretched out right next to my grandmother, her thigh touching her mother's bent knee. she has on a yellow bikini with ruffled trim. her eyes are closed. her blonde hair is shiny and the ends hit the tops of her shoulders. everything about her looks bright and young and golden. her mouth is parted and her fingers rest on the fabric of her bikini bottoms. she looks perfect. and though it's a photograph, when i stare at it it's as if i'm watching a short flickering film. i see so much movement, i see the moment so completely. i see the force of her youth so clearly.
Sunday, July 11, 2010
lucky teeth
ashley smithvia mademoisellerobot
dents du bonheur— it means "lucky teeth". I read that's what the french call gap teeth. i agree. i really really like them. i think they somehow open up a face, make it brighter, more vulnerable, more honest. i think it looks incredibly sexy too. since the middle ages it has been assumed that women with gap teeth are wanton and lustful... maybe because there is an inherit boldness in imperfection. it's easier to fit in. it's easier to close the gap. but i think the open space between two front teeth should be kept as is, honored and celebrated.
Wednesday, July 7, 2010
...as if someone turned off a light
joyce carol oates said— night comes to the desert all at once, as if someone turned off a light. it's true... things come hard and fast and full in the desert. i used to live in a small town along the texas/new mexico border, just south of las cruces, in the upper mesilla valley. you had to drive a good four miles on a dirt road to get to our house. we lived with the desert right behind us. high plains, creosote bush, feral dogs, mesquite, and broken rusting barbed wire fences. i was a kid. but i remember that darkness came fast and so did the heat. and thunderstorms. in the rain the creosote smell came fast too, damp and strong and earthy. i didn't miss the desert until recently. until i went back to visit. it had been such a long time. and now i have this small unexpected ache, this slow swelling nostalgia.
Wednesday, June 2, 2010
13 songs for late afternoons
2. everlasting light— the black keys
3. it girl— brian jonestown massacre
4. you need to die— the morning after girls
5. small talk— the ponys
6. when i'm small— phantogram
7. theme from tomorrowland— cold cave
8. 20Lo7— john & jehn
9. grow-delorean
10. rill rill—sleigh bells
11. alligator— tegan & sara
12. st. michael— cocorosie
13. vcr— xx
(image via ilmfb.wordpress.com)
3. it girl— brian jonestown massacre
4. you need to die— the morning after girls
5. small talk— the ponys
6. when i'm small— phantogram
7. theme from tomorrowland— cold cave
8. 20Lo7— john & jehn
9. grow-delorean
10. rill rill—sleigh bells
11. alligator— tegan & sara
12. st. michael— cocorosie
13. vcr— xx
(image via ilmfb.wordpress.com)
Wednesday, May 19, 2010
the library vault
image via diary of a dandelion diva
the other day someone who sometimes seems to know me better than myself suggested i look into working at the main branch of our public library. at first i balked at the idea. i imagined myself bored, stunted, and trapped— bloodlessly gathering up misplaced books, tediously putting call numbers on book spines. but then i really thought about it. i have always loved libraries, even the ones lacking grandeur and history, even the ones that are a depressing block of drab concrete from the outside. because on the inside there is always the surprise and triumph of discovery. even if it's a tiny discovery...just one line, from one book that i would have otherwise never come across, that maybe i won't even check out, that maybe i will never come across again in my lifetime, but that one line flaps on and on inside me like bird wings on a windowpane, desperate and relentless, forever remembered. i can spend hours walking the aisles, running my fingers across titles and names i don't know, until something flashes out at me and i stop and take a closer look. i don't get embarrassed to sit on the floor. i like the eerie quiet. i like the smell of paper and metal. i like the feeling that arises when someone else wanders into the aisle that i have been occupying for a long while without anyone else present— it's part irritation, part bewilderment, part relief. i like the stamped due dates, resolute, non-negotiable. i like the lighting, sometimes pale and morbid, sometimes warm and softly yellow. but mostly i guess it's about being surrounded, overwhelmed really, by the hard work of writers... a seemingly endless inventory of writers working out their ideas, obsessing on their characters, their landscapes, their imagined places... fiction, non-fiction, reference, anthologies... it doesn't matter...a writer and a story...everywhere you turn.
Saturday, March 20, 2010
bye bye buenos aires
image via sws9americas
buenos aires. two weeks. not exactly enough time, but a decent enough amount to notice some things, to do some things... hot days, warm nights. the girls are honey skinned, bare legged, beautiful. cafe con leche gets served with a shot glass of water, to clean the palate I suppose? or to hydrate? not really sure, but i love it. purebred dogs are everywhere, so many different breeds, very few mutts, but toy poodles and cocker spaniels were definitely the most popular. tree-lined streets, with broad branches and leaves that arch over the street, like a tunnel of green with sunlight glinting through. we ate lots of ice-cream, almost everyday we had a scoop or two, it melts so much faster than it does at home. the botanical gardens are home to a ton of cats. so is the famous recoleta cemetery— they sleep in the sun and wander among the mausoleums, letting you pet them. the mausoleums are beautiful, many made of marble and glass, you can see the coffins stacked inside. some streets in the city are still cobblestone. sundays are so quiet–they are the best day to walk around. we sat by the rooftop pool every morning and the city looked so massive from up there, just endlessly sprawling. we took hotel room siestas in the late afternoons, after hours and hours of walking all over the city. the wine is delicious and cheap. the empanadas are delicious and cheap. the subway is very hot and very cheap. taxis are everywhere, you never wait long to get one. dinner is eaten very late. mostly we stayed out till 2 or 3 in the morning, not really partying, just drinking wine in the warm night at a sidewalk table, watching people walk by. we fell in love with the patagonian cavys we fed at the zoo, they just wander around freely, grazing in the patches of grass, resting in the sun. they took food so gently, even though they have big rodent teeth. we ate so much meat, it's delicious and cheap. we were were very sad to leave it all behind...
Saturday, January 30, 2010
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